Worked more on Girl from Ipanema. Master corrected some of my chord fingerings and helped me hone the melody. We did a bit of jamming improv over the the A section and I have been trying this since.
We then had some general discussion/mentorship and he talked about different approaches to improv. At one point he mentioned a quote from George Russell which (paraphrased) went something along the lines of ‘improvising of a tune is like a boat trip up the Mississippi – you can can sail directly there, or you can stop at all the little towns on the way.’ The analogy was supposed to be related to how do we approach some chord changes. For example a ii V I in any given key – let’s say C. Do we just play C over the whole thing? Do we think D Dorian, G Mix , C Ionian at each chord? Do we treat each chord as a vertical slice and think of all the different harmonizations possible?
He also showed me a mod for a Maj7 chord, i.e. the #4 or #11 which implies the Lydian mode, e.g. Cmaj7#11 (I prefer this name as opposed to the #4 though my internal jury is still out).
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