Archive for GAS

Call me a simple guy…

Posted in General whining, Guitar Gear with tags , on April 24, 2009 by Staff Writer

…but I think I’ve realized that I have fairly simple gear needs. I want some great sounding core tones that are quick and easy to get, and I don’t seem to have the aptitude (nor burning desire) to want to spend hours and hours tweaking and twisting knobs on a relatively complex gadget to get a bunch of new sounds from it that are a 5% incremental in terms of personalization over what the presets have to offer.

Cases in point: the Eventide Harmonizer PitchFactor that I bought last week and sold yesterday, and the TC Electronic Nova Delay that I bought and sold last year.  Some great sounds inside these gadgets to be sure – these are awesome products with huge potential, but I just find the immediate gratification of my guitar into a distortion pedal into a delay and then into my amp so satisfying that I don’t need any more weirdness and/or wonderfulness on top of it. Alternatively, a simple clean with a bit of reverb and a decent wah pedal and I’m in tone heaven.  I don’t require quad-voice pitch shifting with individual tap tempo assignable delays that go forwards, backwards, up and down and left and right.

It  goes to show the ingenuity of the marketing of these folks where they can manipulate the GASeous urges of individuals to want to buy stuff that they don’t even know that they need. When will I ever learn? (answer: whoa – what the hell is that? I have to buy one of those…)

On the Eventide, well, yeah, I lost some money – about $10 on what I paid for it. Well, consider it as I rented a new bit of gear for a week, tried it, and then moved on.

New gear day – Eventide Pitchfactor

Posted in General whining, Guitar Gear with tags , , on April 16, 2009 by Staff Writer

Just by chance, I mailed one of my favorite local dealers Blackwood Guitars to ask them that when the Pitchfactors did indeed arrive, how much would they be, since (if I may admit to a bit of a GAS frenzy this year) I was seriously toying with the idea of buying one from the U.S. online since I was not sure if I could wait till July when they had last said they were expecting them.  I got a reply saying that two of them had *just* arrived the day before and I immediately asked them to reserve one for me, which they kindly did.

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Here it is, on top of my 20 year old Passion & Warfare tab book. You can see that it is about 2.5 times the width of a BOSS pedal. The first thing I did was to hook it up and dig around for the Steve Vai Ballerina patch so I could play that cute little ditty from P&W, and it sounded exactly like the record (sonically at least, since I flubbed it all over the place and don’t know at least half of the tune…).

Anyway, first impressions with physical gripes first:

Hmm.. this is my first Eventide stompbox; no interest in the Modfactor or Timefactor. Helloooo?! Eventide?! How much research did you do into pedalboard conventions? Input jacks go on the right side (as you face the pedal), *not* the left. Almost every pedal ever created has the input jack on the right so they all link up nicely in a chain in one direction. Eventide’s bizarre design decision to put them on the far left will mean lots of crossed over cables. Add to this that the 4 input and output jacks (this is a stereo pedal) are too close for the user to be able to use space-saving flat-head jacks and this stompbox might end up hogging a lot of real estate on a pedalboard, and having an ugly mass of crossing over wire coming out of the back of it.  Again, on the ‘conventions’ theme, Eventide goes against the grain by covering most of the base of the unit in some grippy rubber. Great if you are using it standalone, but if you want to mount it on a pedalboard with any kind of velcro, Dual Lock or similar, then sorry, but it just ain’t gonna stick. Better to have some removable little rubber feet or something. These might seem like minor complaints, but they add up to big inconveniences for gear obsessives who want their boards to be perfect.  Final gripe is on the power supply. Why do these guys (TC Electronic also take note) insist on using some non-standard voltage or current draw that means you have to use their own cheap shitty PSU instead of being able to plug it to a Voodoo Pedal Power or TREX Fuel Tank? Must try harder.

Anyway – since I spent so much time whining, I didn’t have that much time to spend learning how the thing worked, but a bit of rooting around amongst the various bits of different-sized card and photocopied paper (guys, just stick them into the one user manual) got me access to the presets which I started churning through.  Having had a BOSS PS-5 as my last harmonizing device, the sounds emanating from the PitchFactor were a bit of a revelation. None of the PS-5’s metallic artificial sound, but sweet sounding complementary notes with good separation on the voices. Caveat – doesn’t handle chords or multiple notes well (which I believe is common to all guitar harmonizers) and you will hear some weirdness if you try to play such as the device tries to figure out what you meant.  I will spend more time delving around with it this evening (having just read the manual on the way in today I now know how to unlock the other 80 presets) but I liked the Crystals effects, the diatonic one will be of great use to me, the Harpeggiator looks like you could waste many years playing with just that alone, the Quadravox sounds suitably Brian Mayish and so forth – in other words, first listens to the included sounds are very positive and I think it will be some time before I have to learn how to program the thing myself given the richness of what is already included.

Just ordered this guy from Musicians Friend

Posted in Guitar Gear with tags , , , on April 15, 2009 by Staff Writer

Since Singapore seems to be completely out of them… 7 bucks cheaper from the US, but with the shipping will turn out slightly more, but hey – when you got GAS, what to do?

Just wanted one for very simple looping, i.e. just set up some quick ad-hoc vamps for jamming over, so opted for this rather than the twin pedal RC-20XL or the giant RC-50. I ain’t gonna be no Looping fiend so went for this basic one.

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I did look at the DigiTech HardWire Delay/Looper at Swee Lee yesterday lunchtime which has decent reviews, but being a BOSS fan went with what I know as I didn’t really take to the broader width  of the DigiTech, plus the rubber on the base of them doesn’t look like it lends itself to sticking velcro or 3M Dual-Lock.

Little Marshal Haze valve amps

Posted in Guitar Gear with tags , , on April 3, 2009 by Staff Writer

I like the look of these.

http://messe.harmony-central.com/Musikmesse09/article/Marshall/Marshall-Introduces-Blues-Inspired-Haze-Amplifier-Line 

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“Marshall Amplification introduces the new Haze line of compact and portable valve-driven performance amplifiers: the 40-Watt Haze combo (MHZ40C) and the 15-Watt Haze head (MHZ15). The Haze line was designed for the musician who demands an honest clean sound, a driving blues tone and some biting rock — all from a single, gig-ready amp. The Haze 40 combo is equipped with a single Celestion G12-66 Marquee 12" speaker. The Haze 15 head can be paired with matching single 12" Celestion G12-66 Marquee loaded cabinets (MHZ112A – angled; MHZ112B – base) as well.

The preamp section is powered by three ECC83 valves (tubes). Both Haze models feature two channels (normal and overdrive) that share a three-band EQ; a Bright switch adds extra emphasis to the highs. A selection of retro-style effects offers authentically-voiced Echo, Vibrato, and Chorus. An emulated spring-reverb is also included. Effect settings are retained by each channel for immediate recall during performance. All effects remain truly bypassed when completely off, providing a more direct signal path.

The Haze 40 combo features unique cabinet construction elements. The closed-back cabinet has been modified with four circular holes to preserve the best aspects of both an open-back and a closed-back design. The speaker is asymmetrically mounted, allowing for extended lows. This combo also features an additional presence control in the EQ, as well as a boost switch to add more depth to the low-mids. A bypass-able effects loop is also included. For recording or directly patching into a PA system, an emulated speaker line output recreates the speaker response. Power is provided by two EL34 valves.

The Haze 15 head is powered by a pair of 6V6 valves. Two 8-Ohm and one 16-Ohm speaker jacks are provided. The matching MHZ112 cabinets feature finger-jointed construction and a closed back design for robust tone and efficient power handling. The MHZ112B is a straight style (base) design; the MHZ112A is the traditional Marshall angled (top) style. Together with the Haze 15 head, they form a striking mid-size stack that is easily transportable.

An included two-way footswitch allows for channel switching and turning effects on and off.

The Marshall Haze 40-watt combo (MHZ40C) and the 15-watt head (MHZ15) will be available July 2009 with respective MSRPs of $1000 and $840.”

Me wantee – Eventide Pitchfactor

Posted in Guitar Gear with tags , on March 30, 2009 by Staff Writer

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Eventide Pitchfactor. 10 of the best famous Eventide Harmonizer effects mashed into a pedal. Coming to Singapore in June apparently. me wantee.

Slightly excessive pedalboard here…

Posted in Guitar Gear with tags , , on March 13, 2009 by Staff Writer

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Fund Raising for Mesa Mark V as of March 3

Posted in Guitar Gear with tags , , on March 4, 2009 by Staff Writer

Target: $3000 SGD

Raised: $1655 SGD  **OVER HALF WAY** YAY!

Jan 18: Sold Catalinbread Serrano Picoso – $135

Jan 18: Sold TC Nova Delay – $350

Jan 21: sold Vox 847 Wah – $70

Feb 10: sold Lego Star Was Star Destroyer – $140

Feb 16: sold Keeley Compressor – $280

Feb 17: sold Roland MicroCube RX – $320

Feb 18: sold Boss PS-5 Super Shifter – $200

Feb 28: sold Shure SM-57 – $110

Mar 3: sold VS One Spot and wires – $50